When this book was announced, it was a real mixed bag of emotions for
me. I was excited to see Frank Quitely on a book again but at the same
time, the book was written by Mark Millar: one of the most hit and miss
writers for me.
Would Jupiter’s Legacy be on the level of Superman: Red Son? Or would
it be another The Unfunnies? As I opened the book, all I could do was
hope that it was at least somewhere in between. I was not disappointed.
Millar is at his best when he’s trying to actually make a point, not
when he’s trying to be outright shocking (or in some cases just plain
offensive.) Jupiter’s Legacy isn’t exactly subtle about it’s point, but
anyone who has read any Millar knows that subtlety isn’t his strong
suit.
Surprisingly, it looks like Millar and I actually agree on something:
people that are famous purely for being famous really just shouldn’t
be. The main characters of Jupiter’s Legacy are exactly this kind of
celebrity.
When your parents are the first superheroes in the world, it
certainly goes to your head and it apparently makes you pretty
unlikable. After one issue, there is a lack of any really likable
protagonist. I certainly hope that’s the point or Millar makes one of
the kids a protagonist I can get behind real soon.
Quitely’s art is as wonderful as usual. It’s definitely great to see
him on interiors for the first time in about two years (unless you count
the Playboy article on Grant Morrison, which you shouldn’t) but
something is missing from his art this book.
Usually Quitely has a pretty wonderful page layout, but his design on
Jupiter’s Legacy is kind of boring. Like Watchmen, each page is set up
in a grid. Some panels might take up more than one spot on the grid, but
it never breaks the grid.
I’m not sure if it was Millar or Quitely who wanted it that way, but I
feel it detracts from the art. With Quitely’s unique style, seeing it
constrained that way feels a bit hollow. The line work doesn’t feel any
different than his work on WE3 or All-Star Superman, but the layout to
me makes it feel a bit flat.
With the exception of one panel where a hero creates a “psychic
painting,” where you get to take what is possibly a sneak peek at
Quitely’s process, there isn’t anything in this book that gives me the
same feelings when I see other art by him.
Don’t get me wrong, the art is still what I’d prefer over a lot of
other artists working in the industry, it’s just a
shame that I know the
art isn’t living up to its full potential.
I get the feeling that Jupiter’s Legacy is the kind of book where the
whole is greater than the sum of its parts. Each issue might not be the
best thing on the shelves when it releases, but I’m sure the collection
will find itself on a lot of best-of lists at the end of the year.
Unless this book takes a turn for the Unfunnies side of Millar.
http://comicsthegathering.com/review/tylerm/2138/jupiters-legacy-1
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